Tuesday, May 29, 2012

CTRL+P: Arlington Arts Center

I'm really looking forward to this upcoming exhibition!  It will be a great show with a lot of exciting work by a group of fantastic artists.  
CTRL+P opens June 22 and runs through September 16, 2012 at the Arlington Arts Center.  Curated by The Studio Visit's Julie Chae and Kristina Bilonick, this exhibition will feature the work of:

Annie Albagli, Jordan Bernier, Melissa Brown, Kris Chatterson, Brian Chippendale, Billy Colbert, Vince Contarino, Christopher Davison, Dieu Donne editions (featuring works by E.V. Day, Byron Kim, and Glenn Ligon), Anthony Dihle & Tim Gibbon, Kyle Durrie / Moveable Type, Jeremy Flick, Jungil Hong, Gary Kachadourian, Steve Lambert, Hugh Leeman, Marie Lorenz, Esperanza Mayobre, Serena Perrone, Gretchen Schermerhorn & Franc Rosario, Kelly Sherman, Rob Swainston, and Barbara Takenaga


Click here to see images of work by the artists included in this exhibition.  I will be showing a pair of etchings and a fabric work created during my apprenticeship at the Fabric Workshop and Museum.
Non-ambulatory Delirium, etching
Harvesting Mordant Structures, etching
Biwa, screenprint on textile

The opening reception is Saturday, June 23 from 6-9 pm at the Arlington Arts Center: 3550 Wilson Boulevard, Arlington, Virginia.  For more information, visit the AAC's website here.

Saturday, May 12, 2012

Upcoming in NYC: IPCNY New Prints 2012/Summer

I am happy to announce that my recent piece Approach and Descent has been selected by Shahzia Sikander for inclusion in the upcoming exhibition New Prints 2012/Summer which runs from May 24-July 27, 2012 at the International Print Center, New York.  There will be an opening reception on May 31 from 6-8 p.m. and I hope you will join me!  The IPCNY is located in Chelsea at 508 W. 26th Street, suite 5A.  I'm honored to be in the company of so many great artists.
Serena Perrone, Approach and Descent, drypoint, spitbite aquatint, gouache, 2011.
From the Press Release:


International Print Center New York presents New Prints 2012/Summer, on view May 24 through July 27, 2012 in its gallery at 508 West 26th Street, 5th floor.  The show consists of seventy-eight prints by seventy-two emerging to established artists, selected from a pool of over 2,500 submissions. 
Shahzia Sikander was the sole juror for this exhibition, continuing IPCNY’s tradition of inviting an individual artist to select the Spring or Summer New Prints show.  Past artist jurors include Kiki Smith, Richard Tuttle, James Siena, Jane Hammond, Polly Apfelbaum, Philip Pearlstein and Trenton Doyle Hancock.
New Prints 2012/Summer - Selected by Shahzia Sikander is the forty-second presentation of IPCNY’s New Prints Program, a series of juried exhibitions organized by IPCNY several times each year, featuring prints made within the past twelve months by artists at all stages of their careers.  An illustrated brochure, including an interview with Ms. Sikander, will accompany the exhibition.
The complete artists’ list is as follows: Golnar Adili, Felipe Baeza, James Bailey, Natalya Balnova, Joell Baxter, Joe Biel, Danielle Blevins, Nancy Bolan, Yael Brotman, Maria Providencia Casanovas, Phillip Chen, Tamar Cohen, Max Colby, Mauricio Cortes, Santiago Cucullu, Michael Dal Cerro, Rhonda Davies, Erin Diebboll, Stella Ebner, Orna Feinstein, Rochelle Feinstein, Yuko Fukuzumi, Ron Fundingsland, Shanti Grumbine, Libby Hague, Hannah Harkes, Dusty Herbig, Yuji Hiratsuka, Szu-Wei Ho, Anthony Holmquist, Traci Horgen, Gunnhilde Høyer, Raluca Iancu, Donna Ingemanson, Jon Irving, Elizaveta Ivanova, Oksana Judakova, Naomi Kazama, Mario Laplante, Michael Loderstedt, Janet Marcavage, Michael Marshall, Chris Martin, Kristen Martincic, Tokoha Matsuda, Elizabeth Mayor, Michael Miller, Samantha Mitchell, James Mustin, Yoonmi Nam, Thomas Nawrocki, Doris Neidl, Bridget O’Donnell, Sharron Okines, Alice O’Neill, Sara Parkel, Enoc Perez, Serena Perrone, Miriam Rudolph, Dan Rule, David Sandlin, Ursula Schneider, Susan Schwalb, Robert Schwark, Andrew Shin, Lesley Sickle, Brian Spolans, Keigo Takahashi, Fulvio Tomasi, Albert Webb, Alexi Worth, and Derick Wycherly.
In addition to the many independent artists included in this show, the presses, publishers and printshops represented are: The Art Department Print Studio at The University of Hawaii (Hilo, Hawaii), Cade Tompkins Projects (Providence, RI), DC Moore Editions (New York, NY), Derriere L’Etoile Studios (New York, NY), Le Dernier Cri (Marseille, France), The Leroy Neiman Center for Print Studies (Columbia University, New York, NY), Lower East Side Printshop (New York, NY), Jennifer Melby (New York, NY), and New West Editions (Seattle, WA).
New Prints 2012/Summer highlights prints, artist’s books, three-dimensional objects and an installation, all made with a rich variety of techniques and pertaining to myriad themes.  Fantastical landscape is depicted in Serena Perrone’s impressive drypoint, Approach and Descent, while Dan Rule’s screenprints, Mountain and Landscape, present both impressionistic and photo-based interpretations of the pastoral.  Meanwhile, Traci Horgen’s installation of 110 screenprints on a connective grid backing creates the effect of a large decorative quilt, and a lithograph by Yoonmi Nam titled, Toile, provides a dark update of that well known French pattern.  Architectural structures are found in Enoc Perez’s Lever House (Indigo) and Yael Brotman’s Airstream - a 3-D model of a camper made with etching, sugarlift and drypoint.  David Sandlin contributes a fold-out book that reads as a graphic novel and refers to the current economic climate, Mort Gage (crisis), and Rochelle Feinstein’s self-commemorating anthology, (A Catalogue of the Estate of Rochelle F., The Estate of Rochelle F.) Prints from the Estate of Rochelle F. critiques the tradition of the catalogue raisonné.  Many more exemplary prints are on display in this diverse exhibition. 
Shahzia Sikander is a New York based, multi-media artist whose practice includes printmaking, drawing, painting, video, performance and installation work.  Sikander was born in Lahore, Pakistan and she studied Indian and Persian miniature painting at the National College of Arts in Lahore before completing her MFA at the Rhode Island School of Design.  Her current output uniquely blends Eastern and Western techniques and influences.  Sikander’s pieces are held in numerous museum collections, such as the Whitney Museum of American Art and The Cooper Hewitt, National Design Museum.  She is represented by Sikkema Jenkins in New York.  

Thursday, April 26, 2012

Structuring Nature: Walton Arts Center

Opening May 3 and running through June 23 is Structuring Nature: Orit Hofshi, Andrew Moore, Serena Perrone, Ben Peterson, and Randall Exon at the Walton Art Center's Joy Pratt Markham Gallery, in Fayetteville Arkansas.  Curated by Andrea Packard, the press release reads: 


"Structuring Nature features five outstanding contemporary artists— Orit Hofshi, Andrew Moore, Serena Perrone, Ben Peterson, and Randall Exon—who portray architectural structures that embody our interdependent and changing relationship to nature. Although diverse in style, these artists envision built and natural environments—some inviting and others forbidding—that challenge our notions about nature and culture. Featured works range from Randall Exon’s landscapes that both celebrate pastoral ways and signal their highly constructed order to Serena Perrone’s surreal and ironic images of idealized nature and childhood innocence amid reminders of a post-industrial world. Ben Peterson’s more fantastical drawings of improbable, absurd, or precarious structures analyze a completely fabricated environment, in which nature is barely discernable amid artificial constructs, from shipping containers to Astro-turf. Both the large-scale color photographs of Andrew Moore and the vast woodcut and mixed media landscapes of Orit Hofshi also emphasize the fragility of human structures but they also reveal evidence of enduring natural or human resilience, if only in creative and intrepid efforts to bear witness to loss. Portraying constructed environments, in which nature has been radically transformed through human interventions and human structures that have, in turn, been altered by forces of nature, the featured artists convey both psychological disquiet and the persistence of beauty in a constantly changing world. Sharing a high level of accomplishment and a commitment to craftsmanship they variously express their concern for the way the reshaping of the natural and built environment profoundly affect our imaginative elasticity. Their artworks often convey a sense of absence or loss, but they also invite us to recognize a resilient vitality in both nature and the transformative power of art."
Orit Hofshi, Vestige, 2008, spoon-printed woodcut on Okawara paper, 67 x 70.8 inches, Image courtesy of the artist and Artosphere.
Structuring Nature runs concurrently with the Walton Art Center's Artosphere, Arkansas' Arts and Nature Festival. Some of the events taking place include a lecture by Author Michael Pollan, outdoor performances by classical and folk musicians, nature expeditions and performing arts events in the outdoors, and lectures by artists Robert Tannen and Patrick Dougherty at Crystal Bridges.  For more information about the Walton Arts Center and Artosphere, click here.

Thursday, April 19, 2012

Process Shots: Biwa - Fabric Workshop and Museum


Here are some process shots of the creation of Biwa, my three-color yardage at The Fabric Workshop and Museum. 
The original drawing was done in Rapidograph pens on frosted mylar.  Each color was drawn on a separate layer of mylar.  Each mylar was then burned to it's own screen.  The fuschia was printed first, then the emerald green, and finally the grey-blue.  Photos courtesy Carlos Avendano and The Fabric Workshop and Museum.

Tuesday, April 17, 2012

Haunting Narratives: Detours from Philadelphia Realism, 1935 to the Present - Woodmere Art Museum


I will be exhibiting work at the Woodmere Art Museum in the upcoming exhibition Haunting Narratives: Detours from Philadelphia Realism, 1935 to the Present, curated by Matthew Palczynski.  Opening May 12 and running through July 15, 2012, there will be an open house on Saturday, May 19 from 1-4 p.m.  The artists included in this exhibition are:


Anastasia Alexandrin, Bo Bartlett, Julius Bloch, James Brewton, Thomas Chimes, Anthony Ciambella, Joan Wadleigh Curran, Murray Dessner, Martha Mayer Erlebacher, Walter Erlebacher, Randall L. Exon, Carol Fahrney, Renee P. Foulks, Frank Galuszka, Bill Gannotta, Eileen Goodman, Sidney Goodman, Paul Gorka, Anthony P. Gorny, Mark Green, Paul Anthony Greenwood, Penelope Harris, Daniel Heyman, Philip Jamison, Fritz Janschka, Charles Jay, Ben Kamahira, Charles Kaprelian, Leon Kelly, Robert Laessig, Jacob Landau, Deena Gu Laties, John Brock Lear, Jr., Charles LeClair, Jimmy Lueders, John Moore, Susan Moore, Edith Neff, Tina Newberry, Scott Noel, Peter Paone, Serena Perrone, Robert Riggs, Hiro Sakaguchi, Kate Samworth, Judith Schaecter, Nelson Shanks, Mark Shetabi, Stuart Shils, Christopher Smith, Benton Spruance, Dox Thrash, Patricia Traub, Thomas Walton, Levon West, Carolyn Wyeth, and Lisa Yuskavage.


The Woodmere Art Museum is located at 9201 Germantown Avenue in Philadelphia.  Please visit woodmereartmuseum.org for more information.

Monday, April 16, 2012

Spring/Summer Exhibition Preview!

Greetings Everyone!  I hope you are all enjoying the spring and staying safe from the crazy weather.  I'm just wrapping up my apprenticeship at the Fabric Workshop and Museum and gearing up for several events in the next few months. It's looking like a busy spring and summer exhibition season, so I'd like to take this opportunity to share news of some upcoming shows and that I'll be part of.  Here's a quick rundown of what's coming up - more details to follow in subsequent posts!  


Structuring Nature - Walton Arts Center, Fayetteville Arkansas: May 3-June 30, 2012
Up first is a show curated by Andrea Packard at the Walton Arts Center in Fayetteville, Arkansas.  Opening May 3rd, the exhibition Structuring Nature also features work by Orit Hofshi, Andrew Moore, Ben Peterson, and Randall Exon, and is in conjunction with the Walton Arts Center's Artosphere Arts and Nature Festival.  More details to follow, but in the meantime you can visit the Walton Arts Center's Artosphere site, here.


Haunting Narratives: Detours from Philadelphia Realism, 1935 to the Present - Woodmere Art Museum, Philadelphia: May 12-July 15, 2012
Next up will be the show Haunting Narratives: Detours from Philadelphia Realism, 1935 to the Present, curated by Matthew Palczynski at the Woodmere Art Museum.  A complete list of artists included will be available soon.  Visit the Woodmere Art Museum for more details, here.


IPCNY New Prints 2012/Summer - International Print Center New York: May 24-July 27, 2012
I'm pleased to be included in IPCNY's summer exhibition, selected by Juror Shazia Sikander.  The exhibition runs May 24-July 27 with an opening reception on May 31 at the IPCNY in Chelsea.  More details to follow including a list of artists and Juror's statement.  In the meantime, you can visit the IPCNY for more info here.


CTRL+P - Arlington Arts Center, Arlington Virginia: June 22-September 16, 2012
In June I will have work included in the exhibition CTRL+P, curated by Julie Chae and Kristina Bilonick of The Studio Visit.  This exhibition will highlight works on paper and textile.  More info will follow soon!  You can visit Arlington Arts Center here.


Serena Perrone - Contemporary Art Museum St. Louis: July 19-August 12, 2012
Curated by Kelly Schindler, this solo exhibition at CAM will be my first major exhibition in my hometown of St. Louis and will feature my newest body of work, Maintaining a Safe Distance and Living to Tell.  The exhibition will also be accompanied by a workshop I will conduct as part of CAM's Sunday Studio program, and will be on view during the concurrent Great Rivers Biennial.  Learn more at CAM's website here.

Sunday, April 15, 2012

New Yardage: Biwa - Fabric Workshop and Museum

As my apprenticeship at the Fabric Workshop and Museum comes to a close, I'd like to share my newest yardage!  "Biwa" is a large 3-color two-way repeat with a croquis measuring approximately 30" x 50".  Printed in bright fuschia, emerald green, and grey-blue on natural off-white, this print is inspired by my recent trip to Kyoto during which I took a boat trip to Chikubu Island on Lake Biwa. Stay tuned for more images and process shots soon!
Three layers hand-drawn on frosted mylar, which are then used to burn the three large screens - one for each color.